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From the outside looking in // Peckham online

12 Jan

So I Googled where I live to see what the world sees when they look at us:

(3am magazine)




only fools and horses(BBC)




Try it!



1970s fashions // vintage faces for SS11 inspiration

4 Jan


HAIR! DRESSES! COLOUR! I’m so up for all this!


These are all from le photostream fantastique de April-Mo, click to find the original image!



Solar Eclipse // January 4th 2011 // UK

4 Jan

This morning we had the first partial solar eclipse of 2011…..see you again November 25th, New Zealand.

(image: Luke Broom Lynne for BBC)

Rebel Yell

3 Jan

(image: fyeahgirlyshit)


Thanks for sharing, Ruby Boutique – made my day!

New Year’s Resolutions, or, Things To Do This Year

2 Jan

1. Spend more time here…

(photo: The Telegraph)

….and less time here

2. Get around to processing the last year’s worth of films from this little beauty:

(photo: My Way)

3. Much more of this:


4. THIS. I wanna see it at least 100 times.

(image: indiegeniusprod)

5. Blog!

(photo:Riz Sanchez/gchic)

Let’s do it, 2011.

Past Times // Vintage London // Life Magazine

1 Jan

Happy days.

I found these gems of London life in times gone by in the Life Magazine archives, here.

I really, really want to sunbathe on the rooves of Piccadilly.

Neil Pardington // The Vault.

28 Dec


Ornithology Store 2, Te Papa

Art Store 5, Otago

Ceramics Store 1

Photo Store 1

Taonga Maori Store 5

Large Mammal Store 1


‘The Vault’ – due to open at City Gallery Wellington on January 29th 2011 – is a series by Wellington-based photographer Neil Pardington which journeys through New Zealand’s public museums and art galleries, transporting the viewer behind closed doors and repositioning us amidst the collection of objects that are Not On Display. For Pardington, the central idea is that of the camera as ‘a storehouse of ideas and images (or as Kodak would have it, memories)’, which he writes about here. These ‘ideas and images’ that his camera has recorded and amassed whilst wandering the apparently deserted back-rooms of national collections ultimately raises the big question: What Makes History?  That is, what’s on display in the Main Collection (and therefore History), and what’s been left behind, in a back room waiting to be remembered? And, conversely, The Vault re-orders our perception of these collections – such as the one that we are in, viewing these photographs on exhibition in the gallery space proper – presenting us the museum ‘from behind’.


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